“One thing that people don’t realize is smoke, fire and water don’t scale easily,” Debert adds. Especially in the wide shots, we ended up replacing most of it.” Atmospherics assisted in conveying the proper size and scale. You see the greenscreens, cranes and camera trucks. They were single plates, usually with Kamala in the foreground and few hundred extras around, on top of the trains and close up to the camera. You’re outside with a crane, so it was nothing like motion control. Some plates were shot in Thailand with a couple hundred extras. There is massive train station with tens of thousands of people clambering and jumping the trains. “What we were tasked to do was creating the Partition shots. “The time travel was more of a storytelling technique than an effect itself,” Debert notes. Kamala travels back in time to the eve of the Partition of India. Kamran’s ended up being cyan and gold, which is on the opposite of the color wheel.” Kamala’s powers are mostly cyan, amber and magenta, which goes with the colors of her suit. It’s like a cosmic cactus coming at you! We wanted to come up with something that had a similar source between Kamran and Kamala, but with a different feel as far as the color palette. On the other side of the coin, it is what gives Kamran’s powers a sense of danger he creates this similarly nature effect that is out of control, jagged and destructive. It also enables her to create shields to protect herself. The idea is that her powers are essentially light made solid, so the hard light is what gives her the ability to embiggen herself and walk on it. “We wanted to come up with something that felt part of the MCU universe however, at the same time different because it’s a new character,” Debert states. Marvel is the cosmic, photonic and mystical Noor energy.
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